![]() ![]() The need thus exists to make oneself into a character, whether the essay uses a first- or third-person narrative voice.The point is to begin to take inventory of yourself so that you can present that self to the reader as a specific, legible character.The art of characterization comes down to establishing a pattern of habits and actions for the person you are writing about and introducing variations into the system. Forster, in ‘Aspects of a Novel,’ drew a famous distinction between ‘flat’ and ‘round’ characters-between those fictional personages seen from the outside who acted with the predictable consistency of caricatures, and those whose complexities or teeming inner lives we come to know. And I use the word character much the same way the fiction writer does. “, the writer needs to build herself into a character. ![]() The former is a ‘flat character, and the Prince is a round character who changes and develops considerably in the course of the play.Narrator as a Character in the Personal Essay Shakespeare’s Henry IV (Pts I and II) provides a suitable contrast in the shape of Hotspur and Prince Hal. Micawber in Charles Dickens’s David Copperfield (1849–50) as a flat character and Becky Sharp in William Thackeray’s Vanity Fair (1847–48) as a round one. ![]() On the other hand, a ‘round’ character is a complex character with many different characteristics and develops throughout the play or story and thus alters and can surprise the readers.įorster cites Mrs. A ‘flat’ character is uncomplicated, and remains the same in the course of a story or play, and is characterized by only one or two traits. Forster in Aspects of the Novel (1927) to describe two basically different types of character- and characterization. The terms “flat and round characters” are first used by E. ![]()
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